Cora discussing Roadkill with the Company If asked to summarize Cora Bisset’s Roadkill, I’d pick something along the lines of provocative, shattering, and tragic. However, after[…]
What is theatre exactly? How do we define it? Should we define it? Is it sacred? Or should it be free for anyone to claim[…]
Daunting. Unfathomable. Overwhelming. Unattainable. As our season of master classes draws to a close, these adjectives lingered in the back of my mind, the part[…]
The Company, staging Dorm with Lynda (right) Lynda Radley, playwright of Futureproof, a play about what intrigues people to watch fantastic “transformation stories” and what[…]
Image courtesy The List.co.uk Today, our company had the pleasure of exploring Glasgow’s “Citizens Theatre,” and from the moment we arrived, it was obvious that[…]
You know those moments in life where it feels as if you’ve floated up out of your body, watching yourself? Or how about a time[…]
Royal Conservatory of Scotland Two weeks into devising here in Glasgow finds us, the cast and creative team of Forget Fire, deep in the midst[…]
Mark teaches a session for Modern Drama: Scottish Theatre. We have been very busy in our Modern Scottish Drama class! Not only are we tackling[…]
Today, Nicola McCartney visited our company to speak with us about her life as a playwright. After briefly telling us her story Nicola introduced us[…]
This week the entire group and I have officially become a family under a blanket of intense classes and rehearsals involving music, philosophical questions, poetry,[…]