
If asked to summarize Cora Bisset’s Roadkill, I’d pick something along the lines of provocative, shattering, and tragic. However, after reading Roadkill prior to our[…]

We are in the midst of our last performances of Forget Fire, and it is impossible not to feel nostalgic. This show has been rewarding[…]

As an American, it shouldn’t come as a surprise that my expectations were a bit off. I definitely pictured strong men and women in the[…]

I climbed New Arthur’s Seat the other day. As I sat on a rock overlooking the city and writing in my journal I couldn’t help[…]

Everyday is the same, yet everyday is different; nothing is new, yet so many things have changed; you’ve reached the point where routine becomes so[…]

Theatre can happen anywhere, anytime, and in any form. Today during the final presentations for the Contemporary Scottish Theatre class, I found this to be[…]

The company asked me to contribute a blog post sometime in the week that we opened. I spend so much of my time as producer[…]

Cora discussing Roadkill with the Company If asked to summarize Cora Bisset’s Roadkill, I’d pick something along the lines of provocative, shattering, and tragic. However, after[…]

What is theatre exactly? How do we define it? Should we define it? Is it sacred? Or should it be free for anyone to claim[…]

Daunting. Unfathomable. Overwhelming. Unattainable. As our season of master classes draws to a close, these adjectives lingered in the back of my mind, the part[…]