On The Set With Cora Bissett
If asked to summarize Cora Bisset’s Roadkill, I’d pick something along the lines of provocative, shattering, and tragic. However, after reading Roadkill prior to our[…]
Long Live the Fringe
We are in the midst of our last performances of Forget Fire, and it is impossible not to feel nostalgic. This show has been rewarding[…]
The Military Tattoo
As an American, it shouldn’t come as a surprise that my expectations were a bit off. I definitely pictured strong men and women in the[…]
Living the Dream
I climbed New Arthur’s Seat the other day. As I sat on a rock overlooking the city and writing in my journal I couldn’t help[…]
Enlightenment in Exhaustion
Everyday is the same, yet everyday is different; nothing is new, yet so many things have changed; you’ve reached the point where routine becomes so[…]
Scratch Performances for Creative Scotland
Theatre can happen anywhere, anytime, and in any form. Today during the final presentations for the Contemporary Scottish Theatre class, I found this to be[…]
Not A Review – with @PeterArnottGlas, @CoraBissett, @Scuffette, @janisjoplinshow, @MarkFFisher + more
The company asked me to contribute a blog post sometime in the week that we opened. I spend so much of my time as producer[…]
On The Set With Cora Bissett
Cora discussing Roadkill with the Company If asked to summarize Cora Bisset’s Roadkill, I’d pick something along the lines of provocative, shattering, and tragic. However, after[…]
An Open Table
What is theatre exactly? How do we define it? Should we define it? Is it sacred? Or should it be free for anyone to claim[…]
David Harrower: Secret Revealed
Daunting. Unfathomable. Overwhelming. Unattainable. As our season of master classes draws to a close, these adjectives lingered in the back of my mind, the part[…]